ࡱ> /C  !"#$%&'()*+,-.A23456789:;<=>?@BRdO)W[t0@PowerPoint Document(YSummaryInformation(1DocumentSummaryInformation8!(   Alhttp://thomas.loc.gov/cgi-bin/bdquery/z?d106:h.r.4846:F/ 0|DTimes New Romanv';DArial Narrowanv';" DArialNarrowanv';"0DMonotype Sortsv';@DVerdana Sortsv';" ` .  @n?" dd@  @@`` 0%E      c $Pf3f3@8 g4OdOd t ppp@ <4!d!d,pg8*Oʚ;9ʚ;<4dddd,p*Oʚ;<4BdBd,p*Oʚ;ph___PPT2001D<4X? %O ;= Digital AudioElizabeth Cohen UCLA $ The National Film Preservation Act %%1988 (Public Law 100-446), the National Film Preservation Board was reauthorized in 1992 for four years (Public Law 102-307), and again in 1996 for an additional seven years (Public Law 104-285).Data MigrationkIf we spend all our efforts on the 100 year medium in the digital age, we will find ourselves contributing to the narrowing of the public domain and of discourse. Moving Images and their Soundtracks serve as the medium of our time: Traditional film post production elements find themselves repurposed into everything from 10.2 channel mixes to cell phone jingles.Data MigrationWe are already awash in bits that call for both the contextual and preservation skills of archivists. Data Migration is the policy. It is a process. It is an implementable process. Restoration and storage are linked by this process. >Digital Re-mastering`Preservation betrayal Creative re-purposing Soundtracks/knowledge transformation Media evolution$ The National Film Preservation Act %% The Librarian/Board will continue to select up to 25 "culturally, historically or aesthetically significant films" each year for the National Film Registry. Preserve orphan films and make them accessible to "present and future generations of Americans."*`$ The National Film Preservation Act %% No SMPTE, AES: Minimizes advocacy/ information about sound. Raises questions about awareness of role of sound in film culture. *`%National Recording Preservation Act INational Recording Preservation Act of 2000, "A bill to establish the National Recording Registry in the Library of Congress to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically significant, and for other purposes" (Public Law 106-474; H.R.4846). Complete Law text and summary information are available. http://www.loc.gov/rr/record/nrpb/ B`$ )&Dm &National Recording Preservation Act II For the purposes of recording selection, "sound recordings" are defined as works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sound component of a moving image work, unless it is available as an autonomous sound recording or is the only extant component of the work. F`F 'National Recording Preservation Act IIl(`(qBetween Film and Sound preservation: Soundtracks fall in the cracks! Soundtracks for film, video, videogames 2001 stats: movie box office $8.35 Billion US video game $9.4 billion Combined U.S. sales of hardware, peripherals and software have grown 20 percent, in 2002. http://www.siliconvalley.com/mld/siliconvalley/business/technology/personal_technology/4201854.htmJ{:`{:Zcbm  10 Film Preservation and Moving Image PreservationV Film, however, is fragile. As it ages, it decays. Film needs on-going care and attention if it is to continue to tell our story. http://www.filmpreservation.org/basics.html The Story Teller SPEAKS! Moving Image Sound tracks need  on-going care and attention if it is to continue to tell our story ,`,  AES Activities `July/August 2001 Issue devoted to archiving, restoration and digital libraries AES 20th International Conference Archiving, Restoration, and New Methods of Recording Oct 5-7, 2001 DVD www.aes.org Technical Council White Paper/series due 2003 (?),`OOn the Horizon`Nanoscale electronic devices and circuits for data recording. See Tutorial: Toward Nanoelectronics In Data Recording AES 20th International Conference`Speilberg Nation The days of storing old tapes and film rolls in the shoebox are over.  We had stacks of VHS tapes lying around the house that had long sections of the dog licking the camera or whatever, says Richard Loper, a social worker and father of six. On a whim, he bought an iMac and stumbled onto the iMovie software. A star was born. Newsweek 11/25 issue]]><1Pl  ` 3ff` ` ___>?" dF@0?n2d@uK FA@ " d`  n?" dd@   @@``PR   @ ` `PBp>> %  ( = j2  B?   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